FixAudio for Musicians
Your mix, at streaming loudness, without the crushed life
Somewhere between your bounce and Spotify, tracks get quiet, or loud and lifeless, or they clip on playback in ways your DAW never showed. Mastering for streaming is mostly discipline about two numbers, and machines are good at discipline.
The volume gap
Your unmastered bounce plays 6 dB quieter than the commercial track before it in the playlist. First impressions are made at somebody else's loudness.
Clipping you never heard
Sample-peak limiters miss inter-sample peaks, and lossy encoding pushes them higher. The crackle appears only after upload, on the version everyone hears.
Loudness-war habits
Normalization made brick-walling pointless: platforms turn it down anyway and keep the damage. Competitive loudness now means clean, not maximal.
How it works
- 1Upload your final mix as WAV or FLAC for best results.
- 2The engine analyzes tonal balance and dynamics, masters toward -14 LUFS, and verifies the finished file stays at or under -1 dBTP after measurement, not by trusting the limiter.
- 3A/B the preview against your original, adjust the target or compression if you disagree, download.
Where we are honest with you
This is mastering, not mixing: balance problems between instruments need to be fixed in your mix first. If you want a mastering engineer's taste, revision calls, and stem mastering, hire one; we are the fast, consistent, measured option, not the artisanal one. Noise reduction is tuned conservatively for music because reverb and air are often intentional.
Free preview (with FixMark), no account needed.